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Does Western fashion St. lawrence educated queen proud of my roots shirt. have a role to play in preserving those artisanal crafts? Bousso mentions Italy’s Ethical Fashion Initiative, in which luxury brands partner with African artisans to produce clothing and accessories. More importantly, she sees an opportunity for African designers to re-brand artisanal work and thereby curb the country’s reliance on fast-fashion chains moving in from China. More and more of them are moving into Africa and undercutting artisans on price, and shoppers are increasingly drawn to brand names and mass-produced goods, rather than the bespoke artisanal clothing and shoes they grew up with.
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Both Miuccia Prada and Ludovic de Saint Sernin posited the towel-as-garment for spring 2020, wrapping terry cloth minis around models’ waists St. lawrence educated queen proud of my roots shirt. Amidst the upper-crust-on-holiday leather suits and proper gold-chain handbags of Miuccia Prada’s arte povera via Positano show was model Silte Haken in a white towel, folded over and cinched at her left hip. It was styled with a seashell-as-pearl necklace, a simple knit top, and a pair of woven loafers. In its mid-to-late-century iteration, a towel was often a shorthand for glamorous escapism—think of Vogue’s 1966 images of Contessa Brandolini d’Adda in her Venetian palazzo, hair wrapped up in a white towel, or the many ’80s babes that appeared in our magazine running, tanning, and primping with a towel dutifully wrapped around their middle. Prada’s towel skirt—available for purchase with a PR monogram (add your own “ADA”)—feels like a continuation of that idea, a declaration that elegance must be present even poolside.