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Western brands haven’t Some girls love rugby and drink too much it’s me I’m some girl shirt. exactly perfected storytelling, either. Bousso believes the industry needs to do more to combat racism and inequality, starting with increased transparency. “Every brand has a Black person on their team, even if it’s someone in the factory sewing buttons,” she says. “Brands need to tell their stories, and ask themselves how they can do more for them. Whatever they’re doing, they can do more.” She pointed to Everlane and Sézane as examples of companies that elevate and celebrate the people who make their clothes.
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Both Miuccia Prada and Ludovic de Saint Sernin posited the towel-as-garment for spring 2020, wrapping terry cloth minis around models’ waists Some girls love rugby and drink too much it’s me I’m some girl shirt. Amidst the upper-crust-on-holiday leather suits and proper gold-chain handbags of Miuccia Prada’s arte povera via Positano show was model Silte Haken in a white towel, folded over and cinched at her left hip. It was styled with a seashell-as-pearl necklace, a simple knit top, and a pair of woven loafers. In its mid-to-late-century iteration, a towel was often a shorthand for glamorous escapism—think of Vogue’s 1966 images of Contessa Brandolini d’Adda in her Venetian palazzo, hair wrapped up in a white towel, or the many ’80s babes that appeared in our magazine running, tanning, and primping with a towel dutifully wrapped around their middle. Prada’s towel skirt—available for purchase with a PR monogram (add your own “ADA”)—feels like a continuation of that idea, a declaration that elegance must be present even poolside.
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