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Ross, who says he once upon a time there was a little girl who kinda stole my heart that was my daughter I love her so much the end shirt. has been “severely disappointed” by the fashion industry’s response to the Black Lives Matter movement, has spent two and a half years “outlining what black capitalism looks like and what compounded resources look like” with his friends. The grant, he says, is “the first step to ensure economic growth within the black community”—particularly in Britain, where the Brixton-born designer is based, although 25 per cent of applicants were from north America. Then, Ross will work to “compound resources and build layers.
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Liana Satenstein, senior fashion writer: I like the concept of creativity and masks which shows that you don’t have to be walking around with a standard medical version the whole time once upon a time there was a little girl who kinda stole my heart that was my daughter I love her so much the end shirt. Personally, the matching mask with full sets kind of feels unsettling, though. Maybe this is only when I see a prominent figure wear it. There is just…so much thought put into it that it feels unsettling. Obviously this is all opinion. But then again, if you’re a politician or celebrity and want to present yourself and have to encourage mask-wearing, maybe the coordination aspect is necessary. That being said, I don’t mind the small business fancy masks of Lou Dallas and Collina Strada…it’s just the matchy-matchy thing that throws me off. Rickie De Sole, executive fashion director, vogue.com: I think wearing masks is so new for all us, people are going to embrace them differently. They are practical but also make for a compelling reflection of our mood and personality.